Abstract
Threeβdimensional (3D) digitization is a key aspect in the preservation and exhibition of museum artifacts. The objective of this article is to investigate contemporary technologies for creating accurate 3D digital models of artifacts from the Maori and Pacific heritage and to establish a generic digitization methodology so that the 3D models can be archived and exhibited both over the internet and within museum displays. This process involves procedures for selecting artifacts that are suitable for laser scanning and then setting up the artifact for scanning. This is followed by the actual scanning and postprocessing stages. To achieve this, the Polhemus FastSCAN laser scanner has been used to collect raw point cloud surface data from artifacts of various sizes, shapes, textures, colors, and materials. The article explains the generic steps developed for postprocessing of raw scan data in the form of a cloud of geometric data points to a completely rendered 3D model with colors mapped on to the model. These generic steps involve removal of background noise, enhancement of texture, filling of holes, merging of separate scans, and color mapping. The results from the scanning and postprocessing of a wahaika, (a Maori clubβlike weapon) and a Polynesian stone pounder reveal that it is important to use a scanner that is flexible enough to capture all the surface information irrespective of the artifact's geometry, and one with the capability of capturing color information with high accuracy. Β© 2009 Wiley Periodicals, Inc. Int J Imaging Syst Technol, 19, 244β259, 2009