<p>The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a single evening in 2002 seemed to mark a turning point for African Americans in cinema. Certainly it was hyped as such by the media, eager to overlook the nuances of this sudden embrace. In this new study
Contemporary African Cinema
โ Scribed by Olivier Barlet; Melissa Thackway (trans.)
- Publisher
- Michigan State University Press
- Year
- 2016
- Tongue
- English
- Leaves
- 467
- Series
- African Humanities and the Arts
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
African and notably sub-Saharan African filmโs relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema.
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Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
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