This guide to conceptual art traces the issues and concerns of the first generation of artists involved in the foundation of the movement, with an essay exploring the historical basis of conceptual art, its relationship to the dominant aesthetics of the 1960s, namely the modernist theory of Clement
Concepts in Action: Conceptual Constructionism
β Scribed by Leiulfsrud HΓ₯kon, Peter Sohlberg
- Publisher
- BRILL
- Year
- 2017
- Tongue
- English
- Leaves
- 342
- Series
- Studies in Critical Social Sciences v. 118
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Concepts in Action focuses on what to do with theoretical concepts, rather than providing conveyed definitions. The book covers a variety of examples what to do, how to think, in order to develop and use concepts in the social sciences.
β¦ Table of Contents
Concepts in Action: Conceptual Constructionism
Copyright
Contents
Preface
List of Illustrations
Notes on Contributors
1 Conceptual Constructionism: An Introduction
2 On the Near Disappearance of Concepts in Mainstream Sociology
Part 1: Methodological Programs and Applications
3 What Do We Do with NormsβConform, Break, Understand or Explain?
4 Colligation
5 Sensitizing Concepts in Action: Expanding the Framework
Part 2: Culture, Nature and Consumption
6 Culture as a Sociological Concept
7 Bringing Nature Back In
8 The Study of Consumption in SociologyβBeyond Utility Theory
Part 3: Social Structure, Organizations and Institutions
9 Social Structure
10 The Organization of Action
11 About Actors: An Institutional Perspective
12 The Family and Interwoven Concepts
13 Collective Action: Why is it so Difficult for the Social Sciences to Grasp the Rational Aspects of Collective Action?
Part 4: Class, Gender, Race and Social Recognition
14 The Status of the Political in the Concept of Class Structure
15 Gender as Analytic, Political and Interdisciplinary Concept
16 Race: A Contested and Travelling Concept
17 Recognition: Conceptualization and Context
Index
π SIMILAR VOLUMES
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<P>In<I> Core Concepts in Contemporary Psychoanalysis</I>, alongside its companion<I> </I>piece <I>Core Concepts in Classical Psychoanalysis</I>, Morris N. Eagle asks: of the core concepts and formulations of psychoanalytic theory, which ones should be retained, which should be modified and in what