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Classics in Media Theory

✍ Scribed by Stina Bengtsson (editor), Staffan Ericson (editor), Fredrik Stiernstedt (editor)


Publisher
Routledge
Year
2024
Tongue
English
Leaves
421
Edition
1
Category
Library

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✦ Synopsis


This comprehensive collection introduces and contextualizes media studies’ most influential texts and thinkers, from early 20th century mass communication to the first stages of digital culture in the 21st century.

The volume brings together influential theories about media, mediation and communication, as well as the relationships between media, culture and society. Each chapter presents a close reading of a classic text, written by a contemporary media studies scholar. Each contributor presents a summary of this text, relates it to the traditions of ideas in media studies and highlights its contemporary relevance. The text explores the core theoretical traditions of media studies: in particular, cultural studies, mass communication research, medium theory and critical theory, helping students gain a better understanding of how media studies has developed under shifting historical conditions and giving them the tools to analyse their contemporary situation.

This is essential reading for students of media and communication and adjacent fields such as journalism studies, sociology and cultural studies.

✦ Table of Contents


Cover
Half Title
Endorsement
Title Page
Copyright Page
Table of Contents
List of figures
List of contributors
Introduction
1. Walter Benjamin (1936) “The Work of Art in the Age of Mechanical Reproduction”
2. Herta Herzog (1941) ‘On Borrowed Experience’
3. Max Horkheimer and Theodor Adorno (1947) ‘The Culture Industry: Enlightenment as Mass Deception’
4. Paul F. Lazarsfeld and Robert K. Merton (1948) ‘Mass Communication, Popular Taste and Organised Social Action’
5. Claude Shannon and Warren Weaver (1949) The Mathematical Theory of Communication
6. Erving Goffman (1959) The Presentation of Self in Everyday Life
7. Jürgen Habermas (1962) The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
8. Marshall McLuhan (1967) The Medium Is the Massage
9. Michel Foucault (1971) The Order of Discourse
10. Jean Baudrillard (1971) ‘Requiem for the Media’
11. Stuart Hall (1973) ‘Encoding and Decoding’
12. Raymond Williams (1974) Television: Technology and Cultural Form
13. James Carey (1975) “A Cultural Approach to Communication”
14. Laura Mulvey (1975) ‘Visual Pleasure and Narrative Cinema’
15. Dallas Smythe (1977) “Communications: Blindspot of Western Marxism”
16. Gaye Tuchman (1978) Making News: A Study in the Construction of Reality
17. Pierre Bourdieu (1979) Distinction
18. Elizabeth L. Eisenstein (1979) The Printing Press as an Agent of Change
19. Roland Barthes (1980) Camera Lucida
20. Benedict Anderson (1983) Imagined Communities
21. Frederic Jameson (1984) ‘Postmodernism, or the Cultural Logic of Late Capitalism’
22. Janice Radway (1984) Reading the Romance
23. Neil Postman (1985) Amusing Ourselves to Death
24. Friedrich Kittler (1985) Discourse Networks 1800/1900
25. Daniel Dayan and Elihu Katz (1992) Media Events: The Live Broadcasting of History
26. N. Katherine Hayles (1999) How We Became Posthuman
27. John Durham Peters (1999) Speaking into the Air
28. Lev Manovich (2001) The Language of New Media
Index


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