EDITORIAL REVIEW: "April is the cruelist month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring dull roots with spring rain." This is the first line of T. S. Eliot's most famous poem, "Wasteland". His next offering, "The Love Song of J. Alfred Prufrock" repeats, "In the
Civil elegies and other poems
โ Scribed by Dennis Lee
- Publisher
- House of Anansi Press Inc.
- Year
- 1994
- Tongue
- English
- Weight
- 27 KB
- Category
- Fiction
No coin nor oath required. For personal study only.
โฆ Synopsis
Civil Elegies is Dennis Lee's uncompromising exploration of citizenship, both Canadian and human. Eli Mandel has called Civil Elegies one of the most important contemporary books of poetry in our country. It was the inner of the Governor General's Award for Poetry in 1972.
๐ SIMILAR VOLUMES
The world of T.S. Eliot and his poetry -- Introduction by Randy Malamud -- Prufrock and other observations (1917) -- Poems 1920 -- The waste land (1922) -- Endnotes -- Inspired by T.S. Eliot and The Waste Land -- Comments & questions.
The world of T.S. Eliot and his poetry -- Introduction by Randy Malamud -- Prufrock and other observations (1917) -- Poems 1920 -- The waste land (1922) -- Endnotes -- Inspired by T.S. Eliot and The Waste Land -- Comments & questions.
EDITORIAL REVIEW: "April is the cruelist month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring dull roots with spring rain." This is the first line of T. S. Eliot's most famous poem, "Wasteland". His next offering, "The Love Song of J. Alfred Prufrock" repeats, "In the
EDITORIAL REVIEW: "April is the cruelist month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring dull roots with spring rain." This is the first line of T. S. Eliot's most famous poem, "Wasteland". His next offering, "The Love Song of J. Alfred Prufrock" repeats, "In the
### Amazon.com Review After sitting through T.S. Eliot's reading of "The Waste Land," listeners may be inclined to hang up the earphones for a spell. There are no flaws to Eliot's steady-toned interpretation; in fact, his delivery is quite remarkable in its ability to match the poem's constant, som