โ Scribed by Diana Wynne Jones
No coin nor oath required. For personal study only.
The first book in the spellbinding, epic adventure series from 'the Godmother of Fantasy', Diana Wynne Jones. Now back in print! For centuries, Dalemark has been a land divided by the warring earldoms of the North and South. Now, with the help of the mysterious gods of Dalemark, four extraordinary young people must join forces to reunify their beloved home. When twelve-year-old Moril's father is murdered by soldiers, Moril inherits his ancient cwidder โ a musical instrument with a mysterious past. As Moril and his siblings embark on a dangerous journey to escape the evil forces around them, he gradually learns how to channel the cwidder's strange and powerful magic. But is it enough to protect those he loves from the looming threat of war?
๐ SIMILAR VOLUMES
Cart and Cwidder is the first in the best-selling Dalemark Quartet of books and tells the story of Moril and his brother and sister who are travelling musicians journeying through Dalemark, until one day they pick up a mysterious passenger. Somehow Moril's family and the stranger are becoming bound
Cart and Cwidder is the first in the best-selling Dalemark Quartet of books and tells the story of Moril and his brother and sister who are travelling musicians journeying through Dalemark, until one day they pick up a mysterious passenger. Somehow Moril's family and the stranger are becoming bound
Cart and Cwidder is the first in the best-selling Dalemark Quartet of books and tells the story of Moril and his brother and sister who are travelling musicians journeying through Dalemark, until one day they pick up a mysterious passenger. Somehow Moril's family and the stranger are becoming bound
The first book in the spellbinding, epic adventure series from 'the Godmother of Fantasy', Diana Wynne Jones. Now back in print! For centuries, Dalemark has been a land divided by the warring earldoms of the North and South. Now, with the help of the mysterious gods of Dalemark, four extraordinary y
Raymond Carver said it was possible 'to write about commonplace things and objects using commonplace but precise language and endow these things - a chair, a window curtain, a fork, a stone, a woman's earring - with immense, even startling power'. Nowhere is this alchemy more striking than in the ti