Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture
β Scribed by Frances Wilson (eds.)
- Publisher
- Palgrave Macmillan UK
- Year
- 1999
- Tongue
- English
- Leaves
- 246
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Table of Contents
Front Matter....Pages i-xii
Introduction: Byron, Byronism and Byromaniacs....Pages 1-23
His Grand Show: Byron and the Myth of Mythmaking....Pages 24-42
Conjuring Byron: Byromania, Literary Commodification and the Birth of Celebrity....Pages 43-62
The Life of Bryon, or Southey was Right....Pages 63-76
Silver-Fork Byron and the Image of Regency England....Pages 77-92
Byronic Bioplays....Pages 93-108
Fantasy and Transfiguration: Byron and his Portraits....Pages 109-136
Screening Byron: The Idiosyncrasies of the Film Myth....Pages 137-153
Undead Byron....Pages 154-165
The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance....Pages 166-183
Byronic Confession....Pages 184-194
βAn Exaggerated Womanβ: The Melodramas of Lady Caroline Lamb....Pages 195-220
Back Matter....Pages 221-234
β¦ Subjects
Poetry and Poetics; Cultural Studies; Nineteenth-Century Literature
π SIMILAR VOLUMES
<span>The Culture of Western Europe</span><span>, George L. Mosseβs sweeping cultural history, was originally published in 1961 and revised and expanded in 1974 and 1988. Originating from the lectures at the University of WisconsinβMadison for which Mosse would become famous, the book addresses, in
Presents the perceptions that the Chinese and the Japanese have of each other, and the information that helped to fuel those perceptions. There are two sections: China in Japan, debating the Asiatic Mode of Production and kyodotai; and Japan in China, covering the Manchurian Railway.
Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenn
<b>Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.</b><
The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever