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Cover of Broadcast Hysteria: Orson Welles's War of the Worlds and the Art of Fake News

Broadcast Hysteria: Orson Welles's War of the Worlds and the Art of Fake News

✍ Scribed by Schwartz, A. Brad


Publisher
Farrar, Straus and Giroux;Hill and Wang
Year
2015;2016
Tongue
English
Weight
503 KB
Edition
First paperback edition
Category
Fiction
ISBN
0809031647

No coin nor oath required. For personal study only.

✦ Synopsis


Introduction -- Journalism and showmanship -- Winged Mercury -- Martians of the mind's eye -- Yours in terror -- Public frightener no. 1 -- Air racketeers -- The public interest -- The story of the century -- A matter of psychology -- The horror man -- Conclusion.;On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic "The War of the Worlds." In "Broadcast Hysteria," A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as "The New York Times "reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better.