β Scribed by Danielle Evans
No coin nor oath required. For personal study only.
The territory Evans covers in her debut collection may be small, but she owns it. Her main characters are almost all teen girls and young women who struggle with disorder, and the reader is given close access to each one's interior, from which the muted plots originate. "Jellyfish," one of the better stories, starts out with the plight of middle-aged William, whose roof has just collapsed, before settling on his adult daughter, Eva, and examining her life. The two friends in "Virgins," the opening and best story, maneuver unsteadily through the minefield of casually predatory men and boys. "Snakes" looks back on a consequential summer in the lives of two little girls. "The King of a Vast Empire" is the biggest departure from form and is narrated by good son Terrence, who frustratedly tells the story of his free-spirited sister, Liddie. The stories are beautifully observed, though their similarities in theme and voice make them better read individually than together. Evans has some great chops that would really shine with a little more narrative breadth.
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Evansβ first collection of short stories deals thoughtfully and incisively with considerations of class, race, and coming-of-age. That six of the stories are told in their female or male protagonistsβ first-person voices brings them immediacy and emotional resonance. Sometimes, though, this device results in narrative voices that sound too much alike while the stories they tell lack thematic originality. Interestingly, two of the best storiesββSomeone Ought to Tell Her Thereβs Nowhere to Go,β about a deeply troubled veteran of the Iraq War, and βJellyfish,β about the fraught relationship of a young woman and her fatherβare told in third person. Yet, whether told in first or third person, what all of the stories share is a demonstration of the profound influence of the past on the present-day lives of their characters and the intricacies of relationships among African American, white, Hispanic, and mixed-race young people. Clearly, Evans lives up to her reputation as an important new voice in literary fiction. --Michael Cart
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Introducing a new star of her generation, an electric debut story collection about young African-American and mixed-race teens, women, and men struggling to find a place in their families and communities. When Danielle Evans's short story "Virgins" was published in The Paris Review in late 2007, it
Introducing a new star of her generation, an electric debut story collection about mixed-race and African-American teenagers, women, and men struggling to find a place in their families and communities. When Danielle Evans's short story "Virgins" was published in The Paris Review in late 2007, it an
### From Publishers Weekly The territory Evans covers in her debut collection may be small, but she owns it. Her main characters are almost all teen girls and young women who struggle with disorder, and the reader is given close access to each one's interior, from which the muted plots originate. "
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