This is the first individual study of Beethoven's Violin Concerto. It explores the work's background and the influences that combined in its creation, and describes its indifferent initial reception. It considers the numerous textual problems that confront the performer, including discussion of Beet
Beethoven, Violin concerto
✍ Scribed by Robin Stowell
- Publisher
- Cambridge University Press
- Year
- 1998
- Tongue
- English
- Leaves
- 138
- Series
- Cambridge Music Handbooks
- Category
- Library
No coin nor oath required. For personal study only.
✦ Table of Contents
Frontmatter
List of figures (page vii)
Preface (page ix)
1 Towards the Violin Concerto Op. 61 (page 1)
2 The genesis of Op. 61 (page 11)
3 Reception and performance history (page 30)
4 The textual history (page 50)
5 Structure and style I - 1. Allegro ma non troppo (page 60)
6 Structure and style II - 2/3. Larghetto - Rondo: Allegro (page 74)
7 Cadenzas (page 90)
Appendix 1: Select discography (page 98)
Appendex 2: Published cadenzas (page 100)
Appendix 3: Textual problems perpetuated in some printed scores (page 102)
Notes (page 109)
Select bibliography (page 118)
Index (page 122)
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