August Macke
โ Scribed by Cohen, Walter; Macke, August; Macke, August
- Publisher
- Parkstone International
- Year
- 2013
- Tongue
- English
- Leaves
- 256
- Series
- Mega Square
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
August Macke (1887-1914) was a master of German Expressionism, a movement which sprang up in the early 1900s with the intent to forego physical reality in search of its emotional counterpart, with a particular emphasis on expressing dark moods of tragedy and angst. Macke was a master of color and form, producing eye-catching canvases that evoke a strong sympathetic reaction in the viewer. He was equally at home Read more...
โฆ Table of Contents
Biography; August Macke; Macke on ""The new Program"" [1914]; The Masks by August Macke; Macke's Letters to Franz Marc; Bonn, after 9 December 1910; Bonn, the 2nd day of Christmas, 1910; Bonn, postmarked 24 March 1911; Bonn, postmarked 15 June 1911; Bonn, 1 September 1911; Bonn, before Christmas 1911; Bonn, 8 January 1912; Bonn, 22 January 1912; Bonn, after 23 January 1912; Bonn, 5 Febuary 1912; Bonn, 28 April 1912; Bonn, 14 May 1912; Letter from Bonn [postmarked: 25 May 1912]; Bonn, postmarked 5 JUne 1912; Bonn, 1 July 1912; Bonn, 23 July 1912; Bonn, 19 May 1913.
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<p class="description">August Macke (1887-1914) was a master of German Expressionism, a movement which sprang up in the early 1900s with the intent to forego physical reality in search of its emotional counterpart, with a particular emphasis on expressing dark moods of tragedy and angst. Macke was a
August Macke (1887-1914) was a master of German Expressionism, a movement which sprang up in the early 1900s with the intent to forego physical reality in search of its emotional counterpart, with a particular emphasis on expressing dark moods of tragedy and angst. Macke was a master of color and fo
August Macke (1887 – 1914) was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly innovative time for German art he saw the development of the main German Expressionist movements as well as the arrival of the successiv