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Attention and Distraction in Modern German Literature, Thought, and Culture

✍ Scribed by Carolin Duttlinger


Publisher
Oxford University Press
Year
2022
Tongue
English
Leaves
456
Edition
1
Category
Library

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✦ Synopsis


Attention and distraction are anthropological constants, central to the way we experience the world; often cast as adversaries, they are in fact closely intertwined, and their relationship is not constant but highly changeable—a barometer of social and cultural change. This wide-ranging interdisciplinary study explores the interplay of attention and distraction from the Enlightenment to the present day, with a particular focus on twentieth-century Germany. Building on the Enlightenment tradition of mental self-observation, nineteenth-century Germany was the birthplace of experimental psychology which sought to measure and potentially enhance attention. Around 1900, this new, psychologically informed understanding of the self began to shape domains such as work and leisure, consumerism and education. In the Weimar Republic, the new discipline of psychotechnics was seen as central to the effort of building a modern, efficient, and potentially fairer society. Its aspirations were mirrored and enhanced by a thriving self-help literature market, which gave readers the tools for their own cognitive optimization. Yet as attention was cast as the key mental resource, in professions ranging from train drivers to telephone operators, distraction emerged as the new buzzword of the period, evoking the spectre of mental and social fragmentation. For many early twentieth-century commentators anxious about the pace of modern life, the rise of distraction spelled the end of contemplative attention. This book shows that many leading German writers, thinkers, and artists did not simply endorse this negative assessment of distraction, but engaged with the dialectical nature of attention constructively, by enacting and reflecting (on) the intrinsically fluid nature of the human mind.

✦ Table of Contents


Cover
Attention and Distraction in Modern German Literature, Thought, and Culture
Copyright
Preface
Dedication
Contents
List of Illustrations
List of Abbreviations
Sigmund Freud
Franz Kafka
Robert Musil
Walter Benjamin
Theodor W. Adorno
Introduction
Mapping the Field
Time, Space, Culture
Survey of Chapters
The Limits of Attention
1: Virtue, Reflex, Pathology: Attention from the Enlightenment to the Late Nineteenth Century
Enlightenment Attention
Attention and the Natural World
Kant: The Art of Distraction
Shock and Diversion: The Psychic Cure
Self-Observation: The Route to Modern Psychology
Quantifying the Subject: Experimental Psychology
The Psychological Laboratory and the Problem of Distraction
Wilhelm Wundt: Psychology and Culture
Attention as Intentionality: Edmund Husserl
2: Modernity: Fragmentation and Resistance
Dynamic Attention
Modern Life: Fragmentation and Acceleration
Neurasthenia
Categorizing Neurasthenia: Gender, Race, and Class
Freud: Beyond Attention
Slippages of Attention
Attention Suspended
Shielding the Mind
Outlook
3: Franz Kafka: Diversion, Vigilance, Paranoia
Attention on Trial
Absent-Mindedness
Disciplining Attention
Writing Scenes: Noise, Silence, Immersion
‘The Burrow’, ‘The Neighbour’, The Castle: Attention at the Limits
Nightwatch: The Ethics of Attention
Immersion
4: Psychotechnics: Training the Mind
A New Science
Testing the Body—Testing the Mind
Advertising Psychology: The Modern Attention Economy
Against Psychotechnics: Siegfried Kracauer
5: Threshold States: Robert Musil
The Uses of Psychotechnics
Psychotechnics and the Novel: The Man without Qualities
Between Discipline and Mysticism
Writer’s Block and Therapy
Collectedness
Threshold States
Captivation
Inattentive Readers and Invisible Monuments
Technological Vision
6: The Art of Concentration: Weimar Self-Help Literature
Dressage of the Mind
Meditation: Techniques and Technologies
Escaping the World
7: Stillness: Weimar Photography
Capturing Attention
Weimar Photography: Pedagogy and Experimentation
Returning to the Roots: Hill and Adamson
Erna Lendvai-Dircksen: The Rural Countenance
Everyday Heads: Sequence and Diversity
Contemplation: Historical Models
Drugged and Exhausted?
Looking at Photographs
8: Presence of Mind: Walter Benjamin
Measuring Diversion
Facets of Contemplation: ‘On Dread’ and Origin of the German Trauerspiel
Tipping Points: ‘Ibizan Sequence’ and One-Way Street
Dora Benjamin: Engaging the Viewer
The ‘Work of Art’ Essay: Against Contemplation
Cinematic Experience
Literary Histories of Attention: Baudelaire, Leskov, Kafka
Rescue in the Face of Danger: ‘The Handkerchief’
9: Musical Listening between Immersion and Detachment
Immersive Listening
Modernist Debates: Listening in Crisis
Heinrich Besseler: Embodied Listening
10: Spellbound: Theodor W. Adorno on Music and Style
Adorno versus Benjamin
Modern Listening I: Genres and Settings
Modern Listening II: Typologies
Radio Music
Shock and Spontaneity
Words from Abroad
Allotria
Beyond Contemplation?
Conclusion
11: Celan, Sebald, Hoppe: Networks of Attention
Paul Celan: Dates of Attention
Sebald: Diversion and Melancholy
Hoppe: Leaping and Swimming
Bibliography
Primary Texts
Secondary Texts
Index


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