๐”– Scriptorium
โœฆ   LIBER   โœฆ

๐Ÿ“

Art & Practice of Creative Visualization

โœ Scribed by Ophiel


Publisher
Red Wheel Weiser
Year
2001
Tongue
English
Category
Library

โฌ‡  Acquire This Volume

No coin nor oath required. For personal study only.

โœฆ Synopsis


There's more to creative visualization than meets the eye! In this groundbreaking volume, first published in 1967, Ophiel lays out the 10 Laws of Creative Visualization. Once understood, they are as simple and as real as the laws of gravity or magnetism. In other words, they work.Ophiel tells us how to do — and undo — the magic of visualization. Whether we want a new job, a new house, a new relationship, or a warm coat — we can manifest that which will create happiness and comfort in our lives. And, should we discover that we've gotten it wrong — that we neither want nor need what we've visualized, there are techniques to undo what has been done. Along with the theory, Ophiel offers plenty of practice in working with symbols, visualizing physical reality, making a "treasure chart, " and understanding the role of emotion in visualization.Work with the symbols in the book and learn how to create your own. This is practical metaphysics at its best. Love spells are forever, but if you want the object of your affection to go away, Ophiel tells you how to do that as well.

โœฆ Subjects


New Age; Nonfiction; OCC014000


๐Ÿ“œ SIMILAR VOLUMES


Art and Visual Perception: A Psychology
โœ Rudolf Arnheim ๐Ÿ“‚ Library ๐Ÿ“… 1974 ๐Ÿ› University of California Press ๐ŸŒ English

Since its first publication in 1954, this work has established itself as a unique classic. It applies the approaches and findings of the period psychology to the study of art; it descirbes the visual process that takes place when people create - or look at - works in the various arts, and explains h

Art and Visual Perception: A Psychology
โœ Rudolf Arnheim ๐Ÿ“‚ Library ๐Ÿ“… 1974 ๐Ÿ› University of California Press ๐ŸŒ Chinese

<p>Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and