Always Mine: An Enemies to Lovers Romance

✍ Scribed by Natalie Lux

• Year: 2020
• Tongue: English
• Weight: 121 KB
• Category: Fiction
• ASIN: B089PQY4SY

✦ Synopsis

1. From the beginnings to the romantic movement. -- v. 2. From the dawn of the romantic movement to the present day.;Vol. 1. Chapter 1. Warrior and Priest -- The Literature of the Warrior -- Beowulf -- The Wanderer -- from The Seafarer -- Riddles: The Book-Worm -- The Shield -- Mead -- The Swan -- The Book -- The Battle of Brunanburh -- The Literature of the Priest -- Bede: from the Ecclesiastical History of the English Nation -- The Conversion of King Edwin -- The Story of Caedmon -- Aelfric: A Colloquy on the Occupations -- Chapter 2. Knight, Priest, and Commoner -- The Literature of the Medieval Knight -- Sir Gawain and the Green Knight -- The Literature of the Medieval Church -- from A Bestiary: The Lion -- The Whale -- The Elephant -- The Debate of the Body and the Soul -- The Literature of the Common People -- Popular Ballads: Riddles Wisely Expounded -- Edward -- Hind Horn -- The Twa Corbies -- Kemp Owyne -- Thomas Rymer -- Sir Patrick Spens -- Sweet William's Ghost -- The Wife of Usher's Well -- Bonny Barbara Allan -- Young Waters -- Robin Hood and Allen-a-Dale -- Robin Hood's Death and Burial -- Johnie Armstrong -- Bonnie George Campbell -- The Church, the People, and the Medieval Drama -- The Second Shepherd's Play -- Everyman -- Medieval Lyrics -- Cuckoo Song -- Alysoun -- Ubi Sunt Qui Ante Nos Fuerunt? The Falcon Hath Borne My Mate Away -- A Sacred Lullaby -- Jesus Christ's Mild Mother -- Timor Mortis -- Invitation to the Dance -- The Students' Wine-bout -- Gaudeamus Igitur -- The Four Great Writers of Medieval England -- The Pearl Poet: Sir Gawain and the Green Knight -- from Piers Plowman (c. 1375): Prologue -- The Field Full of Folk -- The Shriving of the Seven Deadly Sins -- Geoffrey Chaucer (c. 1340-1400): from The Canterbury Tales -- Prologue -- The Nun's Priest's Tale -- The Wife of Bath's Prologue -- The Wife of Bath's Tale -- The Franklin's Tale -- The Pardoner's Tale -- The Manciple's Tale -- Song from The Parliament of Fowls: Gentilesse -- Truth -- Envoy to Bukton -- Chaucer's Wordes Unto Adam -- The Compleint of Chaucer to His Empty Purse -- Sir Thomas Malory (1394?-1471): from Morte Darthur -- Caxton's Preface -- Book 21 : Departure of Arthur -- Chapter 3. A Brave New World -- Early Tudor Literature -- Sir Thomas More (1478-1535): from Utopia, The Second Book: Concerning the best state of a common-wealth, etc. -- Of the Magistrates -- Of their living and mutual conversation together -- Wyatt and Surrey -- Sir Thomas Wyatt (1503-1542): The Lover Complaineth the Unkindness of His Love -- The Lover Compareth His State to a Ship -- An Earnest Suit to His Unkind Mistress -- Description of the Contrarious Passions in a Lover -- Earl of Surrey (Henry Howard) (1517?-1547): Of the Death Of Sir [Thomas] W[yatt] -- Description of Spring -- Beauty -- Complaint of a Lover Rebuked -- Vow to Love Faithfully -- The Means to Attain Happy Life -- The Greek Horse -- Elizabethan Prose -- Roger Ascham (1515-1568): from The Schoolmaster, Book 1 -- Sir Philip Sidney (1554-1586): from An Apology for Poetry -- Ben Jonson (1573-1637): from Timber; or, Discoveries Made upon Men and Matter -- Scientiae liberals -- De Shakespeare nostrati -- De stylo, et optimo scribendi genere -- Richard Hakluyt (1553-1616): from The Principal Navigations, Voyages, Traffics, and Discoveries of the English Nation, Made by Sea or over Land, to the Remote and Farthest Distant Quarters of the Earth in Any Time within the compass of these 1500 Years -- The Epistle Dedicatory in the First Edition, 1589 -- Sr Walter Raleigh (1552? -1618): The Last Fight of the Revenge -- John Lyle (1554?- 1606): from Euphues: The Anatomy of Wit -- A Cooling Card for Philautus and All Fond Lovers -- Thomas Lodge (1558 -- 1625): from Rosalynde: Euphue's Golgen Legacy -- [The Wrestling Match] -- Thomas Nash (1567- 1600): from the Unfortunat Traveler or the Life of Jack Wilton -- [Cutwolfe's code of Revenge] -- Robert Greene (1560? -- 1592): from A Notable Discovery of Cosenage -- The Art of Cony Catching -- Thomas Dekker (1570?-1641?): from The Gull's Hornbook -- How a Gallient Should Behave Himself in a Playhouse --Edmund Spencer (552-1599): from The Shepeardes Calendar -- To His Booke -- October -- from The Farrie Queene -- A Letter of the Authors -- Book I, Canto I -- Canto II -- Canto III -- Canto IV -- Canto V (summary) -- Canto VI -- Canto VII (summary) -- Canto VIII -- Canto IX (summary) -- Canto X (summary) -- Canto XI -- Canto XII -- from Amoretti -- 1) Happy ye leaves -- 23) Penelope for her Ulisses sake -- 34) Lyke a ship -- 70) Fresh spring the herald of loves mighty king -- 75) One day I wrote her name upon the strand -- 79) Men call you fayre -- Epithalamion-- Elizabethan Verse: Anonymous: Back and Side go Bare -- Maids and Widows -- My Flocks Feed Not -- Crabbed Age and Youth-- We Bare thee Poor Mariners -- Sir Edward Dyer (c. 1550 -- 1607): My Mind to Me a Kingdom Is -- Christopher Marlowe (1564-1593): The Passionate Shepherd to His Love -- Sir Walter Raleigh (1552?-1618): The Nymph's Reply to the Shepherd -- His Pilgrimag -- Sir Walter Raleigh the Night Before His Death -- John Lyly (1554-1606): Apelles' Song -- Spring's Welcome -- Servants' Song -- Sir Phillip Sydney (1554-1586): Song from Arcadia -- Ring Out Your Bells -- Sonnets from Astrophel and Stella: 1) Loving in truth-- 31) With how sad steps-- 39) Come, Sleep! -- 50) Stella, the fullness of my thoughts of thee -- George Peele (c. 1558-c. 1597); Fair and Fair -- A Farewell to Arms (To Queen Elizabeth) -- Robert Greene (1560?-1592): Sephestia's Song to Her Child -- Sweet Are the Thoughts That Savor of Content -- Robert Southwell (1561?1595): The Burning Babe -- Samuel Daniel (1562-1619): Sonnets from Delia: 25) False Hoe Prolongs my ever certain grief -- 54) Care-charmer Sleep -- 55) Let others Sing -- Thomas Nash (1567-1600): Spring, the Sweet Spring -- Thomas Dekker (1570?-1641?): Sweet Content -- Michael Drayton (1563-1631): To the Virginian Voyage -- Agincourt -- Sonnets to Idea: 1) Like an adventurous sea-farer am I -- 3) Many there be excelling in this kind -- 12) As other men so I myself do muse -- 61) Since there's no help, come, let us kiss and part -- Thomas Campion (1567?-1619): My Sweetest Lesbia -- The Man of Life Upright -- Follow Your Saint -- Rose-Cheeked Laura -- Jack and Joan -- There is a Garden in Her Face -- John Fletcher (1579-1625): Hymn to Pan -- Aspatia's Song -- Melancholy -- Ben Jonson (1573-1637): Hymn to Diana -- Song to Celia (Come, My Celia, let us prove) -- Song to Celai (Drink to me only with thine eyes) -- Simplex Munditiis -- Epitaph on Elizabeth L.H. -- It Is Not Growing Like a Tree -- To the Memory of My Beloved Master, William Shakespeare -- The Triumph of Charis -- The Madrigal: Sing and We Chant It -- I Follow, Lo, The Footing -- To Shorten Winter's Sadness -- Sing We at Pleasure -- Lady, When I Behold -- Fair Phyllis -- O Care, Thou Wilt Despatch Me -- Lightly, She Whipped O'er the Dales -- Sister, Awake -- There is a Jewel -- Ah, Dear Heart -- The Silver Swan -- William Shakespeare (1564-1616): Sonnets: 15) When I consider everything that grows -- 18) Shall I compare thee to a summer's day? -- 23) As an unperfect actor on the stage -- 25) Let those who are in favor with their stars -- 29) When, in disgrace with fortune and men's eyes -- 30) When to the sessions of sweet silent thought -- 32) If thou survive my well-contented day -- 33) Full many a glorious morning have I seen -- 54) O, how much more doth beauty seem -- 55) Not marble, nor the gilded monuments -- 60) Like as the waves make towards shore -- 64) When I have seen by Time's defaced -- 65) Since brass, nor stone boundless sea -- 66) Tired with all these, for restful death I cry -- 73) That time of year thou mayst in me behold -- 76) Why is my verse so barren of new pride -- 97) How like a winter hath my absence been -- 104) To me, fair friend, you can be old -- 106) When in the chronicle of wasted time -- 116) Let me not to the marriage of true minds -- 119) What potions have I drunk of Siren tears -- 128) How oft, when thou, my music, music playest -- 130) My Mistress' eyes are nothing like the sun -- 146) Poor soul, the center of my sinful earth -- Songs from the plays: When icicles hang from the wall -- Who is Silvia? What is she -- You spotted snakes with double tongue -- The ousel cock so black of hue -- Tell where is fancy bred -- Sigh no more, ladies, sigh no more -- Under the greenwood tree -- It was a lover and his lass -- O mistress mine, where are you roaming? -- Take, Oh, take those lips away -- Hark, Hark! The lark at Heaven's gate sings -- Fear no more the heat O' the sun -- When daffodils begin to peer -- Lawn as white as driven snow -- Come unto these yellow sands -- Full fathom five thy father lies -- No more dams I'll make for fish -- Where the bee sucks, there suck I;Elizabethan Drama -- Christopher Marlowe (1564-1593): The Tragical History of Doctor Faustus -- William Shakespeare (1564- 1616): The Tragedy of Antony and Cleopatra -- Ben Jonson (1573- 1637): from Every Man Out of His Humor -- The English Bible -- First Corinthians, Chapter 13, in Five Translations: Tyndale's New Testament -- Geneva Bible -- Bishops' Bible -- Rheims New Testament -- King James -- King James Version: Samson (Judges, 13-16) -- Ruth (complete) -- The Lord Answereth Job (Job, 38-42:6) -- Psalms 19, 23, 91, 137 -- Proverbs (8) -- Ecclesiastes (12) -- The Birth of Jesus (Luke, 2:1-20) -- from The Sermon on the Mount (Matthew, 6) -- The Prodigal Son (Luke, 15:11-32) -- Sir Francis Bacon (1561-1626): Essays or Counsels-Civil and Moral -- 1. Of Truth -- 5. Of Adversity -- 7. Of Parents and Children -- 8. Of Marriage and Single life -- 10. Of Love --11. Of Great Place -- 18. Of Travel -- 23. Of Wisdom for a Man's Self -- 32. Of Discourse -- 42. Of Youth and Age -- 47. Of Negotiating -- 50. Of studies -- from of The Advancement of Learning, The Second Book, XV,1,2,3 -- from Novum Organum -- from New Atlantis -- Chapter 4. The Puritan Interlude -- Introductory Essay -- John Donne (1573-1631) -- Song (Go and catch a falling star) -- The indifferent -- The Ecstasy -- A Hymn to God the Father -- Death -- The Good-Morrow -- Love's Infiniteness -- Song (Sweetest Love, I do not go) -- The Legacy -- The Anniversary -- The Will -- Renunciation -- Good Friday,1613 -- His Picture -- On His Mistress -- The Third Sattire -- from Devotions upon Emergent Occasions -- Meditation XVII -- Meditation XVIII -- Stuart and Common Verse: The Cavalier Poets -- Thomas Carew: (1598?-1639?) -- Celia Singing -- Disdain returned -- Song (Ask me no more where Jove bestows) -- Sir John Suckling (1609-1642): Why so pale and wan, Fond Lover -- Constancy -- Richard Lovelace (1618-1658): To Lucasta, Going to the Wars -- To Althea, from Prison -- To Amarantha -- Edmund Waller (1606-1687): On a Girdle -- Go, Lovely Rose! -- Of the last verses in the Book -- Robert Herrick (1591-1674): The Argument of his Book -- An ode for Ben Jonson -- The Night Piece, To Julia -- Cherry-ripe -- Delight in disorder -- Upon Julia's Clothes -- Upon mistress Susanna Southwell her feet -- To Daffodils -- To the virgins that make much of time -- Corinna's Going A-Maying -- The Wake -- The Hag -- His Prayer for Absolution -- Litany to the Holy Spirit -- Abraham Cowley (1618-1667): The Grasshopper -- The Swallow -- The Wish -- Andrew Marvell (1621-1678): To His Coy Mistress -- The Garden -- Bermudas -- The Metaphysical Poets: George Herbert (1593-1633): The Pearl -- The Quip -- The Collar -- Richard Crashaw (1612?-1649): Description of a Religious House -- Henry Vaughn (1622?-1695): The Retreat -- The World -- Departed Friends -- Thomas Traherne (1636-1674): Wonder -- Stuart and Commonwealth Prose: The Character of Writers: Joseph Hall (1574-1656): Characters of Virtues and Vices -- The Honest Man -- The Hypocrite -- Sir Thomas Overbury (1581-1613): The Characters -- A Melancholy Man -- An Excellent Actor -- John Earle (1601?-1665): Microsmographic No. 31 -- A Pretender to Learning -- An Antiquary -- A Young Man -- Sir Thomas Browne (1605-1682): from Pseudodoxia Epidemics (Vulgar Errors) -- Of the Salamander (Book III, Chapter 14) -- Eve (Book V, Chapter 4) -- from Hydriotaphia, or Urn Burial -- Of Ambition and Fame -- Thomas Fuller (1608-1661): From the Holy State and the Profane State -- The Good Schoolmaster -- From the History of the Worthies of England -- Edmund Spenser -- William Shakespeare -- Izaak Walton (1593-1683): from the Complete Angler -- from the First Day -- from the Third Day -- from the Fifth Day -- Two Great Puritans: John Milton (1608-1674): L'Allegro -- Il Penseroso -- Lycidas -- Sonnets -- On His Having Arrived at the Age of Twenty-three -- On Shakespeare -- To the Lord General Cromwell -- On the Late Massacre in Piedmont -- On His Blindness -- On His Deceased Wife -- from Paradise Lost -- Book I -- Book II -- Book III (Arguments) -- Book IV -- Book V (Argument) -- Book V (Argument) -- Book VI (Argument) -- Book VII (Argument) -- Book VIII (Argument) -- Book IX (Argument) -- Book X (Argument) -- Book XI (Argument) -- Book XII -- Samson Agonistes -- from Areopagitica -- [In Defense of Books] -- John Bunyan (1628-1688): From the Pilgrim's Progress-In the Similitude of a Dream -- [Christians Set Forth] -- [The Fight with Apollyon] -- [Vanity Fair] -- [Giant Despair] -- [The Celestial City] -- From A Book for Boys and Girls: or, Country Rimes for Children -- 19) Of the Mole in the Ground -- 32) Of Moses and His Wife -- 36) Upon the Frog -- 52) On the Cackling of a Hen -- Chapter 5: Convention and Realism -- Introductory Essay -- The Restoration and the Beginnings of Neo-classicism -- Samuel Butler (1612-1680): from Hudibras -- (Part 1, Canto 1, 11. 1-456) -- Samuel Pepys (1633-1703): from The Diary -- John Dryden (1631-1700): from Absalom and Achitophel (from Part I) -- MacFlecknoe -- A Song for St. Cecilia's Day -- Alexander's Feast; or, the Power of Music -- Epigram on Milton -- from An Essay of Dramatic Poesy -- from Preface to the Fables -- The Triumph of Neoclassicism: John Dryden (1631-1700): All for Love -- William Congreve (1670-1729): The Way of the World -- Daniel Defoe (1659-1731): from an Essay upon Projects -- The Education of Women -- from A Journal of the Plague Year -- Joseph Addison (1672-1719) and Richard Steele (1672-1729): from the Tatler and the Spectator -- On Ladies' Dress (Tatler) -- Tom Folio (Tatler) -- Recollections of Sorrow (Tatler) -- The Spectator Introduces Himself to the Reader (Spectator) -- The Spectator Club (Spectator) -- Westminster Abbey (Spectator) -- Party Patches (Spectator) -- A Country Sunday (Spectator) -- Sir Roger at the Assizes (Spectator) -- A Consideration of Milton's Paradise Lost (Spectator) -- A Young Lady's Diary (Spectator) -- Jonathan Swift (1667-1745): Thoughts on Various Subjects -- A Meditation upon a Broomstick -- from a Tale of a Tub -- The Abolishing of Christianity -- from Gulliver's Travels -- Part I.A Voyage to Lilliput -- A Modest Proposal -- The Journal of a Modern Lady -- from Journal to Stella -- Alexander Pope (1688-1744): from An Essay on Criticism -- The Rape of the Lock -- from An Essay on Man -- The Neo-classical Age, 1660-1784: Epistle I -- Epistle II -- Epistle II (summary) -- Epistle IV (summary) -- The Universal Prayer -- Epistle to Dr. Arbuthnot -- John Gay (1688-1732): from Trivia, or the Art of Walking the Streets of London -- from Book II. Of Walking the Streets by Night -- from Fables -- The Lion, The Fox, and the Geese -- The Rat-catcher and Cats -- The Hare with Many Friends -- Songs from The Beggar's Opera -- The Turtle Crying -- Over the Hills and Far Away -- Youth's the Season -- Songs from Acis and Galatea -- O the Pleasure of the Plains -- Love in Her Eyes Sits Playing -- O Ruddier than the Cherry -- Philip Stanhope, Lord Chesterfield (1694-1773): from Letters to His Son -- The Decline of Neo-classicism: Oliver Goldsmith (1728-1774): The Deserted Village -- Song from She Stoops to Conquer -- Retaliation -- Samuel Johnson (1709-1784): from The Dictionary -- from The Rambler and the Idler -- Romances and Morality (The Rambler) -- Mr. Minim as Critic (The Idler) -- Books (The Idler) -- Letters -- To the Earl of Chesterfield -- To James Macpherson -- To the Reverend Dr. Taylor -- To Mrs. Thrale -- from The Lives of the English Poets -- from Milton, from Dryden -- from Pope -- Edmund Burke (1729-1797): from Reflections on the Revolution in France -- The Rights of Man -- Royalty Dethroned -- James Boswell (1740-1795): from the Life of Samuel Johnson, LL. D. -- Appendix -- General Index -- Index of First Lines.;John Ruskin (1819-1900): from Modern Painters -- Effect of the Sea after a Storm -- The Grand Style -- The Pathetic Fallacy -- from Unto this Last -- Essay I. The Roots of Honor -- from The Relation of Art to Morals -- Matthew Arnold (1822-1888): The Function of Criticism at the Present Time -- from Culture and Anarchy -- Hebraism and Hellenism -- from the Study of Poetry -- Milton -- Thomas Henry Huxley (1825-1895): On the Advisableness of Improving Natural Knowledge -- Science and Culture -- Walter Horatio Pater (1839-1894): from Leonardo da Vinci -- La Gioconda -- from Studies in the History of the Renaissance -- Conclusion -- Romanticism -- Poets of Faith and Doubt: Alfred, Lord Tennyson (1809-1892): The Poet -- The Lady of Shalott -- Oenone -- The Palace of Art -- The Lotos-Eaters -- You Ask Me, Why, Though Ill at Ease -- Of Old Sat Freedom on the heights -- Ulysses -- Locksley Hall -- Locksley Hall, Sixty Years After -- Break, Break, Break -- Songs from The Princes -- Sweet and Low -- The Splendor Falls on Castle Walls -- Tears, Idle Tears -- Home They Brought Her Warrior Dead -- Ask Me No More -- Now Sleeps the Crimson Petal -- Come Down, O Maid -- from In Memoriam -- Prologue, Sections 1, 11, 15, 19, 27, 28, 30, 54, 55, 56, 64, 73 78, 87, 95, 96, 104, 105, 106, 126, 130, 131 -- The Eagle -- The Charge of the Light Brigade -- The Song of the Brook -- Lyrics from Maud -- Come Into the Garden, Maud -- O That 'Twere Possible -- Oh, Let the Solid Ground -- In the Valley of Cauteretz -- The Flower -- Northern Farmer, Old Style -- Northern Farmer, New Style -- Wages -- The Higher Pantheism -- Flower in the Crannied Wall -- from The Idylls of the King -- The Coming of Arthur -- By an Evolutionist -- Crossing the Bar -- Robert Browning (1812-1889): Songs from Pippa Passes -- All Service Ranks the Same with God -- The Year's at the Spring -- Overhead the tree-tops meet -- Cavalier Tunes -- 1. Marching Along -- 2. Give a Rouse -- 3. Root and Saddle -- My Last Duchess -- In a Gondola -- The Laboratory -- "How They Brought the Good News from Ghent to Aix" -- The Lost Leader -- Meeting at Night -- Parting at Morning -- Home-Thoughts, from Abroad -- Home-Thoughts, from the Sea -- The Glove -- The Bishop Orders His Tomb at Saint Praxed's Church -- Saul -- A Toccata of Galuppi's -- "De Gustibus-" -- My Star -- Respectability -- Memorabilia -- A Grammarian's Funeral-- "Childe Roland to the Dark Tower Came" -- Fre Lippo Lippi -- Andrea Del Sarto -- Rabi Ben Ezra -- Caliban upon Setebos -- Confessions -- Prospice -- Apparent Failure -- Proem to The Ring and the Book -- House -- Why I am a Liberal -- Epilogue to Asolando -- Elizabeth Barrett Browning (1806-1861): The Cry of the Children -- from Sonnets from the Portuguese -- Sonnets 1,3,7, 8, 14, 26, 35, 41, 43 -- John Henry Newman (1801-1890): The Sign of the Cross -- The Pillar of the Cloud -- from The Dream of Gerontius -- Soul -- Angel -- Emily Bronte (1818-1848): Remembrance -- Song -- To Imagination -- Sympathy -- The Night is Darkening -- Fall, Leaves -- A Little While -- The Old Stoic -- Often Rebuked, Yet Always Back Returning -- No Coward Soul is Mine -- Arthur Hugh Clough (1819-1861): Qua Cursum Ventus -- from Dipsychus -- "There is No God," The Wicked Saith -- This world is very odd we see -- Say Not the Struggle Naught Availeth -- "What Went Ye out for to See?"-- Qui Laborat, Orat -- Hope Evermore and Believe! -- The Latest Decalogue -- Ite Domum Saturae, venit Hesperus -- In a London Square -- All is Well -- Matthew Arnold (1822-1888): Quiet Work -- To a Friend -- Shakespeare -- In Harmony with Nature -- The Forsaken Merman -- Memorial Verses -- Isolation. To Marguerite -- Self-Dependence -- The Buried Life -- Lines (Written in Kensington Gardens) -- Morality --Philomela -- Requiescat -- The Scholar-Gypsy -- Thyrsis -- Austerity of Poetry -- Dover Beach -- the Last Word -- Pis-Aller -- Rugby Chapel -- Geist's Grave -- Christina Rossetti (1830-1894): Song (When I'm Dead) -- The Three Enemies -- The Heart Knoweth Its Bitterness -- A Better Resurrection -- An Apple Gathering --Advent -- Uphill -- Goblin Market -- from Sing-Song -- "If I Were a Queen" -- Mother shake the Cherry Tree -- The wind has such a rainy sound -- Fly away, fly away over the sea -- Who has seen the wind? -- Boats sail on the rivers -- from Monna Innominata -- James Thomson (1834-1882): Once in a saintly Passion -- For I must Sing of all I feel and Know -- Two Sonnets -- The Fire That filled My Heart of Old -- Give a Man a Horse He Can Ride -- Let My Voice Ring Out and Over the Earth -- from The City of Dreadful Night (1, 4, 14, 21) -- George Meredith (1828-1090): Juggling Jerry -- from Modern Love (Poems 1, 16, 29, 47, 48, 50) -- The Lark Ascending -- Lucifer in Starlight -- On the Danger of War -- Meditation under Stars -- Song in the Songless -- Youth in Age;Vol II. Chapter 6: Revolution and Romance: Introductory Essay: The Approach to Romanticism -- James Thomson (1700-1748): from The Seasons -- from Winter -- Rule, Britannica! -- from The Castle of Indolence -- from Canto I -- Thomas Gray (1716-1771): Ode on a Distant Prospect of Eton College -- Sonnet (On the Death of Richard West) -- Ode on the Death of a Favorite Cat -- Elegy Written in a Country Churchyard -- The Progress of Poesy -- The Bard -- The Fatal Sisters -- Sketch of His Own Character -- Letters -- To His Mother -- To Richard West -- To His Mother -- To Horace Walpole -- To Mr. Stonhewer -- To Dr. Wharton -- William Collins (1721-1759): Dirge in Cymbeline -- Ode (Written in the Beginning of the Year 1746) -- Ode to Simplicity -- Ode to Evening -- The Passions -- Ode on the Death of Mr. Thomson -- William Cowper (1731-1800): from Olney Hymns -- Walking with God -- Praise for the Fountain Opened -- On the Loss of the Royal George -- from The Task -- from Book I. The Sofa -- from Book II. The Time-Piece -- from Book III. The Garden -- On the Recipe of My Mother's Picture -- To Mary -- Romanticism in the Ascendant, 1760-1832: Sonnet to Mrs. Unwin -- The Castaway -- Robert Burns (1759-1796): Mary Morison -- To Davie (Second Epistle) -- Epistle to J. Lapraik, an Old Scottish Bard -- Holy Willie's Prayer -- The Jolly Beggars -- The Cotter's Saturday Night -- To a Mouse -- Address to the Deil -- To a Mountain Daisy -- To a Louse -- Of A' the Airts -- Auld Lang Syne -- John Anderson, My Jo -- Sweet Alton -- Willie Brew'd a Peck o' Maut -- To Mary in Heaven -- Tam o' Shanter -- Bonie Doon -- Ae Fond Kiss -- Highland Mary -- Duncan Gray -- Scots, Wha Hae -- A Red, Red Rose -- A Man's a Man for A' That -- O, Wert Thou in the Cauld Blast -- William Blake (1757-1827): from Poetical Sketches -- To the Evening Star -- My Silks and Fine Array -- from Songs of Innocence -- Introduction -- The Lamb -- The Little Black Boy -- Holy Thursday -- A Cradle Song -- The Divine Image -- A Dream -- from Songs of Experience -- The Fly -- The Tiger -- The Clod and the Pebble -- Holy Thursday -- A Poison Tree -- The Garden of Love -- A Little Boy Lost -- London -- The Chimney-sweeper -- Stanza from Auguries of Innocence -- Thel's Motto -- The Romantic Triumph in Poetry -- William Wordsworth (1770-1850) -- Lines Written In Early Spring -- Lines (Composed a few miles above abbey) -- Strange Fits of Passion Have I Known -- The Dwelt Among the Untrodden Ways -- I Traveled Among Unknown Men -- Three Years She Grew in Sun and Shower -- A slumber Did My Spirit Seal -- from The Prelude -- Book 1. Introduction-Childhood and school-time. Book 5. Books -- Michael -- My Heart Leaps Up When I Behold -- Resolution and Independence -- Composed Upon Westminster Bridge -- Composed by the Seaside, Near Calais -- it is a Beauteous Evening, Calm and Free -- On the Extinction of the Venetian Republic -- London 1802 -- To the Daisy (With little here to o or see) -- To the Daisy (Bright flower) -- To a Highland Girl -- The Solitary Reaper -- To the Cuckoo -- She Was a Phantom of Delight -- I Wandered Lonely as a Cloud -- Ode to Duty -- To a Skylark (Up with me!) -- Elegiac Stanzas -- Character of the Happy Warrior -- Nuns Fret Not -- The World is Too Much with Us -- Ode on Intimations of Immorality -- Thought of a Briton on the Subjugation of Switzerland -- Scorn Not the Sonnet -- If Thou Indeed Derive Thy Light from Heaven -- Samuel Taylor Coleridge (1772-1834) -- the Rime Of the Ancient Mariner -- Christabel -- Kubla Khan; or a vision of a Dream -- France: an Ode -- Dejection: an Ode -- Youth and Age -- Work without Hope -- Epitaph -- Sir Walter Scott (1771-1832) -- from The of the Last Minstrel -- Rosabelle -- from Marmion -- Where Shall The Lover Rest -- Lochinvar -- Hunting Song -- from The Lady of the Lake -- Harp of the North -- Soldier, Rest! Thy Warfare O'er -- Boat Song -- Coronach -- Soldier's Song -- Harp of the North, Farewell! -- Proud Maisie -- Bonny Dundee -- Glee for King Charles -- George Noel Gordon, Lord Bryon (1788-1824) -- When We Two Parted -- from English Bards and Scotch Reviewers -- Maid of Athens, Ere We Part -- She Walks in Beauty -- The Destruction of Sennacherib -- Stanzas for Music (There's not a joy) -- Stanzas for Music (There be none of Beauty's daughters) -- Sonnet on Chillon -- The Prisoner of Chillon -- Childe Harold's Pilgrimage -- from Canto III -- from Canto IV -- The Thomas Moore -- So We'll Go No More A-Roving -- from Don Juan -- Dedication -- from Canto I -- from Canto II -- from Canto III. The Isles of Greece -- from Canto IV -- When a Man Hath No freedom -- The World is a Bundle of Hay -- Who Killed John Keats? -- Stanzas Written on the Road Between Florence and Pisa -- On This Day I Complete My Thirty-Sixth Year -- Percy Bysshe Shelley (1792-1822) -- Mutability (We are as clouds) -- Hymn to Intellectual Beauty -- Ozymandias -- Stanzas (Written in dejection, near Naples) -- Song to the Men of England -- England in 1819 -- Ode to the West Wind -- The Indian Serenade -- Songs from Prometheus Unbound -- Asia -- Demogorgon -- The Cloud -- To a Skylark (Hail to Thee) -- Time Long Past -- Song (Rarely, rarely, comest thou) -- To Night -- To- (Music, when soft voices die) -- Time -- Mutability (The flower that smiles today) -- A Lament -- Adonis -- Songs from Hellas -- Worlds On Worlds Are Rolling Over -- Final Chorus from Hellas -- Remembrance -- To-(One word is too often profaned) -- Lines (When the lamp is shattered) -- A Dirge (Rough wind) -- John Keats (1975-1821) -- on First Looking Into Chapman's Homer -- To One Who Has Been Long In City Pent -- Addressed to Haydon -- On Seeing the Elgin Marbles -- On the Sea -- When I Have Fears That I May Cease to Be -- Lines On the Mermaid Tavern -- Robin Hood -- In a Drear-Nighted December -- Proem From Endymion -- Fancy -- Ode (Bards of Passion and of Mirth) -- Ode on Melancholy -- Ode on a Grecian Urn -- La Belle Dame sans Merci -- On Fame -- Another on Fame -- Ode to Psyche -- Ode to a Nightingale -- The Eve of St. Agnes -- To Autumn -- Bright Star! Would I Were Steadfast as Thou Art -- Letters -- To John Hamilton Reynolds -- To James Augustus Hessey -- To John Hamilton Reynolds -- To Charles Brown -- MINOR ROMANTIC POETS -- Robert Southey (1774-1843) -- The Battle of Blenheim -- The Old Man's Comforts -- The Inchcape Rock -- Thomas Moore (1779-1852) -- Oh, Breathe Not His Name! -- The Harp That Once Through Tara's Halls -- 'Tis the Last Rose of Summer -- The Minstrel Boy -- Believe Me, If All Those Endearing Young Charms -- James Henry Leigh Hunt (1784-1859) -- Abou Ben Adhem and the Angel -- The Glove and the Lions -- Rondeau -- The Fish, the Man, and the Spirit -- Thomas Hood (1799-1845) -- Silence -- Ruth -- The Song of the Shirt -- The Bridge of Sighs -- Thomas Lovell Beddos (1803-1849) -- Poor Old Pilgrim Misery -- Song (How Many times Do I Love Thee, Dear?) -- To Sea, To Sea! -- Dirge (If Thou wilt Ease Thine Heart) -- Lady, Was It Fair of Thee? -- Song (Old Adam, the carrion crow) -- Dream-Pedlary -- Walter Savage Landor (1775-1864) -- Rose Aylmer -- Lyrics to Ianthe -- Away my verse; and never fear -- When Helen first saw wrinkles in her face -- Past ruined Ilion Helen lives -- Ianthe! You are called to cross the sea! -- Pleasure! why thus desert the heart -- Mild is the parting year, and sweet -- It often comes into my head -- Why, why repine, my pensive friend -- Years, many parti-colored years -- Well I remember how you smiled -- Dirce -- One Year Ago -- Yes, I write the Verses Now and Then -- The Leaves Are Falling; So Am I -- Is It Not Better -- I Know Not Whether I Am Proud -- Iphigeneia and Agememnon -- To Youth -- To Age -- Death Stands Above Me -- On His Seventy-Fifth Birthday -- To My Ninth Decade -- ROMANTIC PROSE: REVOLUTIONARY, CRITICAL, AND IMAGINATIVE -- Percy Bysshe Shelley (1792-1822): Declaration of Rights -- Williams Wordsworth (1770-1850): from Preface to Lyrical Ballads -- Samuel Taylor Coleridge (1772-1834): from Biographia Literaria -- Characteristics of Shakespeare's Dramas -- Charles Lamb (1775-1834): Dream-Children: A Reverie -- The Praise of Chimney-sweepers -- Poor Relations -- The Superannuated Man -- The Two Races of Men -- Letters -- To Samuel Taylor Coleridge -- To William Wordsworth -- To Charles Cowden Clarke -- To Thomas Manning -- William Hazlitt (1778-1830): On Going a Journey -- from My First Acquaintance with Poets -- Meeting with Coleridge -- Thomas De Quincey (1785-1859): Confessions of an English Opium Eater -- from Preliminary Confessions -- -On the Knocking at the Gate in Macbeth -- from Suspiria de Profundis -- Levana and Our Ladies of Sorrow -- from The Poetry of Pope -- Literature of Knowledge and Literature of Power -- Chapter 7: Democracy, Science, and Industrialism: The Victorian Age, 1832-1880: Introductory Essay -- Prose Critics of Art and Life -- Thomas Babington Macaulay (1800-1859): from The History -- The Revolt Against Classicism -- John Henry Newman (1801-1890): from The Idea of a University -- Discourse V. Knowledge Its Own End -- From Discourse VIII. The Definition of a Gentleman -- from Apologia pro Vita Sua -- [Visit to Italy]-- Thomas Carlyle (1795-1881): from Sartor Resartus -- The Everlasting No -- Center of Indifference -- The Everlasting Yea -- from the French Revolution -- The Whiff of Grapeshot -- from Past and Present -- The English -- Labor -- Aristocracies;POETS AESTHETIC AND PAGAN -- Edward Fitzgerald (1809-1883): The Rubátyát of Omar Khayyam -- Dante Gabriel Rossetti (1828-1882): The Blessed Damozel -- My Sister's Sleep -- The Sea-Limits -- Sister Helen -- The Song of the Bower -- The Ballad of Dead Ladies -- Troy Town -- Autumn Song -- from the House of Life --The Sonnet --18. Genius in Beauty -- 19. Silent Noon -- 24. Pride of Youth -- 48. Death-In-Love -- 53. Without Her -- 55. Stillborn Love -- 69. Autumn Idleness -- 77. Soul's Beauty -- 78. Body's Beauty -- 86. Lost Days -- Three Shadows -- William Morris (1834-1895): The Defense of Guenevere -- Shapeful Death -- A Garden by the Sea -- from The Earthly Paradise--An Apology -- The Day Is Coming -- A Death song -- Algernon Charles Winburne (2837-2909): from Atlanta in Claydon -- When the Hounds of Spring -- Before the Beginning of Years -- A Match -- A Ballad of Burdens -- The Garden of Proserpine -- Dedication to Poems and Ballads -- Hertha -- A Forsaken Garden -- A Jacobite Farewell -- A Ballad of Francois Villon -- The Higher Pantheism in a Nutshell -- Nephelidia -- A Child's Laughter -- LAUGHING CRITICS IN VERSE -- Edward Lear (1812-1888): The Owl and the Pussy-Cat -- Incidents in the Life of My Uncle Arly -- Charles Stuart Calverley (1831-1884): Ballad -- Charles Lutwidge Dodgson ("Lewish Carroll") (1832-1898): The Crocodile -- The Voice of the Lobster -- Father William -- The Mock Turtle's Song -- Jabberwocky -- Glossary to Jabberwocky -- The Walrus and the Carpenter -- The White Knight's Ballad -- The Baker's Tale -- William Schwenck Gilbert (1836-1911): The Yarn of the "Nancy Bell" -- The Aesthete -- Said I to Myself, Said I -- They'll None of 'Em Be Missed -- Let the Punishment Fit the Crime -- Willow Titwillow -- James Kenneth Stephen (1859-1892): Of Lord B. -- A Sonnet -- CHAPTER 8: THE BREAK WITH VICTORIANISM -- Fading Traditions and New Patterns, 1880-1914 -- Introductory Essay -- POETRY -- William Ernest Henley (1849-1903) -- from In Hospital -- Enter Patient -- Waiting -- Before -- Staff-Nurse: Old Style -- Staff-Nurse: New Style -- Music -- Apparition -- Discharged -- Invictus -- I.M.: Margaritae Sorori -- On the way to Kew -- Ballade of a Toyokuni color-Print -- What Is to Come -- Where Forlorn Sunset Flare and Fad -- Space and Dread and the Dark -- England, My England -- Gerard Manley Hopkins (1844-1889): Heaven-Haven -- The Habits of Perfection -- God's Grandeur -- The Starlight Night -- The Sea and the Skylark -- The Windhover -- Pied Beauty -- Peace -- Felix Randal -- Spring and Fall -- Inversnaid -- Carrion Comfort -- I wake and Feel the Fell of Dark -- To R.B. -- Robert Louis Stevenson (1850-1894): A Song of the Road -- A Camp -- In the States -- The Celestial Surgeon -- To Alison Cunningham -- Ben in Summer -- Pirate Story -- Foreign Lands -- Looking Forward -- The Land of Counterpane -- System -- Happy Thought -- The cow -- A Mile an' a Bittock -- A Portrait -- I will Make you Brooches -- Mater Triumphans -- My Wife -- Bright Is the Ring of words -- Sing Me a Song -- Evensong -- Requiem -- Francis Thompson (1859-1907): The Hound of Heaven -- To a Snowflake -- Envoy -- The Kingdom of God -- Rudyard Kipling (1865-1936): Tommy -- Danny Deever -- "Fuzzy-Wuzzy" -- Gunga Din -- Mandalay -- The King -- The "Mary Gloster" -- Recessional -- The White Man's Burden -- A Smuggler's Song -- Alfred Edward Housman (1859-1936): from A Shropshire Lad (2, 4, 5, 7,8, 9, 13, 18, 19, 21, 26, 27, 40, 44, 45, 48, 49, 54, 63) -- from Last Poems (2, 7, 10, 11, 32) -- from More Poems (They say my verse, etc., 7, 8, 9, 15, 22, 27, 37, 38) -- Thomas Hardy (1840-1928): A Beauty's Solioquy During Her Honeymoon -- Drummer Hodge -- The Darkling Thrush -- Autumn in King's Hintock park -- God-forgotten -- At Casterbridge Fair -- 1. The Ballad-Singer -- 2. Former Beauties -- 3. After the Club-Dance -- 4. The Market-Girl -- 5. The Inquiry -- 6. A Wife Waits -- 7. After the Fair -- The Man He Killed -- The Curate's Kindness -- from Satires of Circumstance -- 1. At Tea -- 3. By Her Aunt's Grave -- 9. At the Altar-Rail -- "Ah, Are You Digging on My Grave?" -- In Time of "The Breaking of Nations" -- the Oxen -- For Life I Had Never Cared Greatly -- John Masefield (1878- ): A Consecration -- The Turn of the Tide -- Sea Fever -- The West Wind -- Cargoes -- London Town -- St. Mary's Bells -- The Seekers -- Laugh and Be Merry -- Roadways -- C.L.M. -- Sonnets (1, 2, 3) -- On Growing Old -- PROSE -- Robert Louis Stevenson (1850-1894): Aes Triplex -- Pan's Pipes -- Pulvis et Umbra -- Rudyard Kipling (1865-1936): The Man Who Was -- Joseph Conrad (1857-1924): The Lagoon -- DRAMA -- Oscar Wild (1856-1900): The Importance of Being Earnest -- John Millington Synge (1871-1909): Riders to the Sea -- CHAPTER 9: THE STRUGGLE ON THE DARKLING PLAIN -- A Time of Conflict and Change, 1914-1957 -- Introductory Essay -- William Butler Yeats (1865-1939): The Stolen Child -- The White Birds -- The Rose of the World -- The Lake Isle of Innisfree -- When You are Old -- Song (from The Land of Heart's Desire) -- The Host of the Air -- Into the Twilight -- He Remembers Forgotten Beauty -- The Song of Wandering Aengus -- The Fiddler of Dooney -- An Irish Airman Foresees His Death -- The second Coming -- Leda and the Swan -- Sailing to Byzantium -- Among school Children -- Winston Churchill (1874- ): Prime Minister -- Dunkirk -- Unconditional Surrender -- James Joyce (1882-1941): from Ulysses -- Virginia Woolf (1882-1941): from The Waves -- Katherine Mansfield (1888-1923): The Garden Party -- Thomas Stearns Eliot (1888- ): from The Sacred Wood -- Tradition and the Individual Talent -- The Love Song of J. Alfred Prufrock -- Ash Wednesday -- Journey of the Magi -- Animula -- Wilfred Owen (1893-1918) -- Greater Love -- Apologia pro Poemate Meo -- Dulce et Decorum Est -- Disabled -- The End -- Anthem for Doomed Youth -- Aldous Huxley (1894- ) -- Young Archimedes -- Noel Coward (1899- ) -- Cavalcade -- Wystan Hugh Auden (1907- ) -- Watch Any Day His Nonchalant Pauses -- There Are Some Birds in These Valleys -- Epilogue -- Doom Is Dark and Deeper Than Any Sea-Dingle -- from On This Island -- [Here on the Cropped Grass] -- from Letter to Lord Byron : IV -- from In Time of War (So, from the years, etc., II, IV, V, VI, VII, X, XVIII, XXVII) -- Musee des Beaux Arts -- In Memory of W.B Yeats -- from The Age of Anxiety -- PART VI, EPILOGUE -- Stephen Spender (1909- ) -- Rolled Over on Europe -- Your Body Is Stars -- Without That Once Clear Aim -- I Think Continually of Those -- The Pylons -- Not Palaces, on Era's Crown -- What I Expected -- The Bombed Happiness -- George Barker (1913- ) -- Vision of England -- Dylan Marlais Thomas (1914-1953) -- To-day, This Insect -- The Hand That Signed the Paper -- And Death Shall Have No Dominion -- When All My Five and Country Senses See -- Among Those Killed in the Dawn Raid Was a Man Aged a Hundred -- Holy Spring -- Fern Hill -- GENERAL INDEX -- INDEX OF FIRST LINES

✦ Subjects

An Enemies to Lovers Romance