As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary."how to be interesting, line after line."
Contents:
Charles Dickens
Boys' Weeklies
Inside the Whale
Drama Reviews: The Tempest, The Peaceful Inn
Film Review: The Great Dictator
Wells, Hitler and the World State
The Art of Donald McGill
No, Not One
Rudyard Kipling
T.S. Eliot
Can Socialists Be Happy?
Benefit of Clergy: Some Notes on Salvador Dali
Propaganda and Demotic Speech
Raffles and Miss Blandish
Good Bad Books
The Prevention of Literature
Politics and the English Language
Confessions of a Book Reviewer
Politics vs. Literature: An Examination of Gulliver's Travels
Lear, Tolstoy and the Fool
Writers and Leviathan
Review of The Heart of the Matter by Graham Greene
Reflections on Gandhi