โ Scribed by Anna McPartlin
No coin nor oath required. For personal study only.
LETTING GO FOR GOOD . . .
Once, Jane Moore and Alexandra Walsh were inseparable, sharing secrets and stolen candy, plotting their futures together. But when Jane became pregnant at seventeen, they drifted slowly apart. Jane has spent the years since raising her son, now seventeen himself, on her own, running a gallery, managing her sisterโs art career, and looking after their volatile motherโall the while trying not to resent the limited choices life has given her.
Then a quirk of fate and a faulty elevator bring Jane into contact with Tom, Alexandraโs husband, who has some shocking news. Alexandra disappeared from a south Dublin suburb months ago, and Tom has been searching fruitlessly for her. Jane offers to help, as do the elevatorโs other passengersโJaneโs brilliant but self-absorbed sister, Elle, and Leslie Sheehan, a reclusive web designer whoโs ready to step back into the world again. And as Jane quickly realizes, Tom isnโt the only one among them whoโs looking for something . . . or traveling toward unexpected revelations about love, life, and what it means to let go, in every sense.
In this insightful and irresistible novel, by turns profound, poignant, and laugh- out-loud funny, acclaimed Irish writer Anna McPartlin tells a story of friendship and love, of the families we are born into and the ones we create for ourselves, and of the hope and strength that remain when we fi nd the courage to leave the past behind at last.
**
๐ SIMILAR VOLUMES
Cover Page; Title Page; Copyright Page; Dedication; Note on the Author; Acknowledgments; 1 "Universe"; 2 "Fear Is the Key"; 3 "Can't Get Bitter"; 4 "So Far Gone"; 5 "Authentic Fake"; 6 "Little Man"; 7 "Chocolate Eyes"; 8 "Bedsprings"; 9 "No Goodbyes"; 10 "Lost in Limbo"; 11 "Simple and True"; 12 "Op
EDITORIAL REVIEW: LETTING GO FOR GOOD . . . Once, Jane Moore and Alexandra Walsh were inseparable, sharing secrets and stolen candy, plotting their futures together. But when Jane became pregnant at seventeen, they drifted slowly apart. Jane has spent the years since raising her son, now
EDITORIAL REVIEW: LETTING GO FOR GOOD . . . Once, Jane Moore and Alexandra Walsh were inseparable, sharing secrets and stolen candy, plotting their futures together. But when Jane became pregnant at seventeen, they drifted slowly apart. Jane has spent the years since raising her son, now
EDITORIAL REVIEW: LETTING GO FOR GOOD . . . Once, Jane Moore and Alexandra Walsh were inseparable, sharing secrets and stolen candy, plotting their futures together. But when Jane became pregnant at seventeen, they drifted slowly apart. Jane has spent the years since raising her son, now
La maggiore di tre sorelle, lady Alexandra ha sempre fatto ciรฒ che ci si aspettava da lei. Ma quando lโuomo che ama da quandโera una ragazza ritorna dopo un lungo periodo allโestero, si ritrova a sperare che il gentiluomo perbene che suo fratello ha scelto per lei non la chieda in moglie. Decide che
In this daring and provocative literary parody which has captured the interest and imagination of a nation, Alice Randall explodes the world created in GONE WITH THE WIND, a work that more than any other has defined our image of the antebellum South. Taking sharp aim at the romanticized, whitewashed