Go further under the covers and stay in bed a little longer with Marian Keyes in this winning follow-up to her smash essay collection, Under the Duvet. Written in the witty, forthright style that has earned her legions of devoted readers, *Cracks in My Foundation* offers an even deeper and more cand
Alcohol, Tobacco, and Firearms: Stories and Essays
β Scribed by Tim McLoughlin
- Book ID
- 110660891
- Publisher
- Akashic Books
- Year
- 2022
- Tongue
- English
- Weight
- 276 KB
- Category
- Fiction
- ISBN-13
- 9781617759956
- ASIN
- B09475BDFN
No coin nor oath required. For personal study only.
β¦ Synopsis
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system.
"A wistful Irish sensibility and memories from a 30-year career as a peace officer in the New York City criminal justice system haunt this solid collection...With spare prose, McLoughlin creates memorable vignettes of urban life. Fans of Kent Anderson's Liquor, Guns & Ammo will want to check this out."
βPublishers Weekly
"Alcohol, Tobacco, and Firearms couldn't be more New York. Tim McLoughlin drops a ton of big-city knowledge and wisdom, rich in lived-in detail, with humor that's hard as the sidewalk."
βJohn Strausbaugh, author of City of Sedition
In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing.
An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car.
In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to.
A recurring theme in his urban, often New Yorkβcentric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin's ghosts, these casualties of progress, and he holds them dear and celebrates them.
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