A new flight plan: Back to the moon

To the Moon and Back: To the Moon and Back

✍ Melissa Brayden 📂 Fiction 📅 2020 🏛 Bold Strokes Books 🌐 English ⚖ 553 KB

Lauren Prescott had dreamed of being an actress since she was cast as Wendy in her middle school production of *Peter Pan*. Yes, her nightgown snagged and brought the set tumbling down, but she was hooked. After years of unsuccessful auditions, performing just wasn't in the cards. Instead, Lauren es

Back to the Moon?

✍ I A Crawford 📂 Article 📅 2003 🏛 John Wiley and Sons 🌐 English ⚖ 236 KB

Back to the Moon

✍ Taylor, Travis S 📂 Fiction 📅 2011 🏛 Baen 🌐 English ⚖ 168 KB

### Product Description *Praise for Travis S. Taylor* “[\_Warp Speed\_] reads like Doc Smith writing Robert Ludlum. . . .You won't want to put it down.” —**John Ringo** “In the tradition of Golden Age SF . . . explodes with inventive action . . . dazzling . . . cutting-edge scientific possibiliti

Back to the Moon

✍ Taylor, Travis S 📂 Fiction 📅 2011 🏛 Baen 🌐 English ⚖ 195 KB

EDITORIAL REVIEW: Praise for Travis S. Taylor * “[Warp Speed*] reads like Doc Smith writing Robert Ludlum. . . .You won't want to put it down.” —**John Ringo** “In the tradition of Golden Age SF . . . explodes with inventive action . . . dazzling . . . cutting-edge scientific possibilities. . . .” —

Back to the Moon

✍ Taylor, Travis S 📂 Fiction 📅 2011 🏛 Baen 🌐 English ⚖ 190 KB

### Product Description *Praise for Travis S. Taylor* “[\_Warp Speed\_] reads like Doc Smith writing Robert Ludlum. . . .You won't want to put it down.” —**John Ringo** “In the tradition of Golden Age SF . . . explodes with inventive action . . . dazzling . . . cutting-edge scientific possibiliti

Back to the Moon

✍ Taylor, Travis S 📂 Fiction 📅 2011 🏛 Baen 🌐 English ⚖ 167 KB

EDITORIAL REVIEW: Praise for Travis S. Taylor * “[Warp Speed*] reads like Doc Smith writing Robert Ludlum. . . .You won't want to put it down.” —**John Ringo** “In the tradition of Golden Age SF . . . explodes with inventive action . . . dazzling . . . cutting-edge scientific possibilities. . . .” —