<span>Our period opens at the end of the Roman Empire when intellectual currents are indebted to the Greek philosophical inheritance of Plato and Aristotle, as well as to a Romanized Stoicism. Into this mix entered the new, and from 313CE imperially sanctioned, religion of Christianity. In art, lite
A Cultural History of the Emotions in the Medieval Age Volume 2
β Scribed by Juanita Feros Ruys; Clare Monagle (editors)
- Publisher
- Bloomsbury Academic
- Year
- 2019
- Tongue
- English
- Leaves
- 201
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Note that abstract blurb not available
β¦ Table of Contents
Cover
Halftitle page
Series page
Title page
Copyright page
CONTENTS
ILLUSTRATIONS
GENERAL EDITORSβ PREFACE
Introduction Medieval Emotions Near and Far
EMOTIONS HISTORY AND THE MIDDLE AGES
THIS VOLUME AND ITS TIMEFRAME
LATE ANTIQUITY: CONVERSION AND RENUNCIATION
THE EARLY MIDDLE AGES
THE HIGH MIDDLE AGES
CONCLUSION
CHAPTER ONE Medical and Scientific Understandings
EMOTIONS IN THE MEDICAL TEXTS OFLATE ANTIQUITY (350β700) AND THE EARLY MIDDLE AGES (700β1000)
MEDICAL APPROACHES TO EMOTION IN HIGH ANDLATE MEDIEVAL WESTERN MEDICINE, 1000β130
TREATING DISORDERED EMOTIONS IN THE HIGH AND LATE MIDDLE AGES
CONCLUSION: NONNATURALS IN LATER REGIMENS OF HEALTH
CHAPTER TWO Religion and Spirituality
THE ANTIQUE INHERITANCE
EMOTION AND HUMANITY IN THE DREAM OF THE ROOD
FEELING FOR GOD: ANCRENE WISSE
CONCLUSION
CHAPTER THREE Music and Dance
THE PATRISTIC LEGACY: AMBROSE AND AUGUSTINE
BOETHIUS AND HIS LEGACY
GUIDO OF AREZZO AND THE RENEWAL OF CHANT IN THE ELEVENTH AND TWELFTH CENTURIES
LITURGY, DANCE, AND ECCLESIASTICAL CAUTION
THE IMPACT OF ARISTOTLE IN THE THIRTEENTH CENTURY
CONCLUSION
CHAPTER FOUR Drama
DRAMA OF THE LATE EMPIRE: MIME, PANTOMIME, AND CHRISTIAN DENUNCIATION
THE TRANSITION TO MEDIEVAL DRAMA
LOCATING EMOTION IN LITURGICAL DRAMA
EXTREME EMOTION IN LITURGICAL DRAMA: GRIEF AND ANGER
HROTSVIT OF GANDERSHEIM AND THE ROMAN LEGACY
PERFORMING EMOTION IN THE ELEVENTH AND TWELFTH CENTURIES
CONCLUSION
CHAPTER FIVE The Visual Arts
GESTURES OF EMOTION: THE MASSACRE OF THE INNOCENTS
JUDGMENT OF EMOTION: ADAM AND EVE AND THE LAST JUDGMENT
MIMESIS OF EMOTION: THE VIRGIN MARY
CONCLUSION
CHAPTER SIX Literature
LATE ANTIQUITY
CAROLINGIAN RENAISSANCE
ANGLO-SAXON LITERATURE
HIGH MIDDLE AGES
LOOKING FORWARD TO THE FOURTEENTH CENTURY
CHAPTER SEVEN In Private: The Individual and the Domestic Community
PRELUDE: PRIVATE OR PUBLIC, INDIVIDUAL OR COMMUNAL?
AFFECTIVE TIES AND THE CONCEPT OF FAMILY
LOVE AND PASSION, FRIENDSHIP AND MARRIAGE
PARENTS AND CHILDREN
CONCLUSION
CHAPTER EIGHT In Public: Collectivities and Polities
PERIODIZATION OF EMOTIONAL STYLES AND PRACTICES OF FEELING
THE PRODUCTION OF CHRISTIAN COMMUNITY, 350β1300
FEUDING PROCESSES OF THE LAY ELITE IN WESTERN EUROPE, 500β1300
THE EMOTIONAL TEMPLATE OF RULERSHIP, 750β1300
EMOTIONAL LIFE OF URBAN COMMUNITIES, 1050β1300
CONCLUSION
NOTES ON CONTRIBUTORS
NOTES
REFERENCES
INDEX
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