Since the second half of the last century art historians, realizing that the image of Rembrandtβs work had become blurred with time, have attempted to redefine the artistβs significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the
A Corpus of Rembrandt Paintings: II: 1631β1634
β Scribed by J. Bruyn, B. Haak, S. H. Levie, P. J. J. van Thiel, E. van de Wetering (auth.)
- Publisher
- Springer Netherlands
- Year
- 1986
- Tongue
- English
- Leaves
- 889
- Series
- Stichting Foundation Rembrandt Research Project Foundation 2
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Table of Contents
Front Matter....Pages I-XVI
Front Matter....Pages 1-1
Stylistic features of the 1630s: the portraits....Pages 3-13
The canvas support....Pages 15-43
Problems of apprenticeship and studio collaboration....Pages 45-90
Patrons and early owners....Pages 91-98
A selection of signatures, 1632β1634....Pages 99-108
Front Matter....Pages 109-109
Notes on the Catalogue....Pages 111-112
Paintings by Rembrandt....Pages 113-577
Paintings Rembrandtβs authorship of which cannot be positively either accepted or rejected....Pages 579-588
Paintings Rembrandtβs authorship of which cannot be accepted....Pages 589-833
Front Matter....Pages 835-835
Corrigenda et Addenda to Volume I....Pages 837-855
Back Matter....Pages 857-884
β¦ Subjects
Fine Arts
π SIMILAR VOLUMES
<p>Volume IV of <b>A Corpus of Rembrandt Paintings</b> deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings po
<p>Volume IV of <b>A Corpus of Rembrandt Paintings</b> deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings po
<p>Volume IV of <b>A Corpus of Rembrandt Paintings</b> deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings po
Since the second half of the last century art historians, realizing that the image of Rembrandta (TM)s work had become blurred with time, have attempted to redefine the artista (TM)s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to car