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3-D Warhol: Andy Warhol and Sculpture

✍ Scribed by Thomas Morgan Evans


Publisher
I.B. Tauris
Year
2017
Tongue
English
Leaves
242
Category
Library

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✦ Synopsis


Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; 'disco decor'; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987 - a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses', his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy.

✦ Table of Contents


Cover
Author bio
Endorsement
Title page
Copyright information
Table of contents
List of figures
List of plates
Acknowledgements
Introduction: Portraits
1 Locating the Sculptural
2 ‘Sublime but compulsive negation’: Brillo Boxes
The Artworld
3 Atmosphere
Rain Machine
4 The Artwork Across the Street
Shadows
5 A Waste of Space
From Leftovers to Recycling to a Critique of the Category of Appropriation
Mental Space: Warhol’s Raid the Icebox I
Time Capsules
Conclusion One-Dimensional Man – In 3D!
Notes
Introduction: Portraits
1 Locating the Sculptural
2 ‘Sublime but compulsive negation’: Brillo Boxes
3 Atmosphere
4 The Artwork Across the Street
5 A Waste of Space
Conclusion: One Dimensional Man – In 3D!
Bibliography
Index
Plates


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